making through observation

As a multidisciplinary maker, I integrate traditional craft into contemporary art and design. My practice lies at the intersection of narrative and material, translating observations of everyday impressions into tactile forms. While a significant part of my expertise lies in handweaving, I apply this communicative, material-sensitive approach across disciplines, ranging from riso, text, photography, wood, and steel to other forms of experimentation.

Exploring themes of memory and transformation, my working method is both systematic and intuitive, combining technical development with poetic exploration.